You're the Curator.

                 THE OLD SCHOOL VIBE GALLERIA.

           As well all know picking out a theme for your exhibit can be hard, because many of the owners of the exhibits just think about how the art can fit in with the theme and how people would try to look at the work. My theme would be a vintage vibe of old school stuff because I believe that people enjoy art and places that are old school, because they say old school was the best times in the day. I except that my viewers should take in a better feel for art and expect them to analyze the art in a more deeper way while they experience the vintage vibe of the place.  

           As we all know art is something very admired by anyone and what brings more people to looking at is the way the artist paints the piece. I choose three art pieces which brought my attention which where this:

 Andy Warhol. Gold Marilyn Monroe. 1962. Silkscreen ink on synthetic polymer paint on canvas, 6' 11 1/4" x 57" (211.4 x 144.7 cm). Gift of Philip Johnson. © 2011 Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York 

 Marcel Duchamp. Bicycle Wheel. New York, 1951 (third version, after lost original of 1913). Metal wheel mounted on painted wood stool, 51 x 25 x 16 1/2" (129.5 x 63.5 x 41.9 cm). The Sidney and Harriet Janis Collection. © 2011 Artists Rights Society (ARS), New York / ADAGP, Paris / Estate of Marcel Duchamp 

 El Lissitzky. Self-Portrait. 1924. Gelatin silver print, 3 x 3 3/8" (7.6 x 8.5 cm). The Museum of Modern Art, New York. Thomas Walther Collection. Purchase. © 2011 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn 

 

Man Ray. Rayograph. 1922

Gelatin silver print (photogram), 9 3/8 x 11 3/4" (23.9 x 29.9 cm). The Museum of Modern Art, New York. Gift of James Thrall Soby © 2012 Man Ray Trust / Artists Rights Society (ARS), New York / ADAGP, Paris.

Charles Sheeler. Criss-Crossed Conveyors, River Rouge Plant, Ford Motor Company. 1927

August Sander. Hod-Carrier, Köln (Bricklayer’s Mate, Cologne). 1928

 Pablo Picasso. Les Demoiselles d'Avignon. Paris, June-July 1907. Oil on canvas, 8' x 7' 8" (243.9 x 233.7 cm). Acquired through the Lillie P. Bliss Bequest. © 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York 

 Frida Kahlo. Self-Portrait with Cropped Hair. 1940. Oil on canvas, 15 3/4 x 11" (40 x 27.9 cm). Gift of Edgar Kaufmann, Jr. © 2011 Frida Kahlo / Artists Rights Society (ARS), New York / SOMAAP, Mexico 

 Eva Hesse. Repetition Nineteen III. 1968. Fiberglass and polyester resin, nineteen units, Each 19 to 20 1/4" (48 to 51 cm) x 11 to 12 3/4" (27.8 to 32.2 cm) in diameter. Gift of Charles and Anita Blatt. © 2011 Estate of Eva Hesse. Galerie Hauser & Wirth, Zurich 

Robert Rauschenberg. Bed. 1955. Oil and pencil on pillow, quilt, and sheet on wood supports, 6' 3 1/4" x 31 1/2" x 8" (191.1 x 80 x 20.3 cm). Gift of Leo Castelli in honor of Alfred H. Barr, Jr. © 2011 Robert Rauschenberg  

Anne Collier. Cut. 2009. Chromogenic color print, 45 13/16 x 55" (116.4 x 139.7 cm). The Museum of Modern Art, New York. Acquired through the generosity of the Contemporary Arts Council of The Museum of Modern Art. © 2012 Anne Collier, Courtesy Anton Kern Gallery, New York 

Steve Gianakos. She Could Hardly Wait. 1996. Oil and ink on cut-and-pasted printed paper, 27 x 27 1/2" (68.6 x 69.9 cm). The Judith Rothschild Foundation Contemporary Drawings Collection Gift. © 2012 Steve Gianakos 

Claude Cahun. Untitled. c. 1928

Edward Ruscha. Every Building on the Sunset Strip. 1966

Harrell Fletcher. The American War. 2005

        I believe that my selections relate to each other because they present a form of old school drawing something you don't see a lot now in days. They can share some similarities in how old the artist picked out old things from the past to use in the today's world which to me is very fascinating. The purpose behind me presenting this three pieces is mainly because of the way the artist contribute to trying to enlighten the people with a more old school way of art/modern.   To me this art brought my attention because of how well thought the art was, especially with the bicycle wheel because you can see a lot of thought was put into it and not just one of those random arts a person can make. The memory it brings me was when i was young I use to always ride my bike for hours and hours just cursing the streets of N.Y hanging out with friends and just having a great old time. I believe that when i analyzed this pieces of art I was never affected by the fact when it was made or by who , art should just be thought about more deeper and have a feel for it. But at the same time enjoy a persons way of thinking and how they try to make people enjoy their work.

THANK YOU AND ENJOY MY TOP PICKS.